When people pick up Augusta Browne: Composer and Woman of Letters in Nineteenth-Century America for the first time, they immediately express pleasure with the look and feel of the handsome book. Next, they ask about the image on the front cover: Where is that? What city is it? The caption for the vivid illustration is on the back cover, but many will ask before they turn the book over to look for the details. The image “Broadway, New York” 
was the work of Thomas Hornor (1785–1844), an English surveyor, artist, and inventor.
Category: Posts Page 4 of 5
During May 2020, I had the honor to write a guest blog for the Music Division of the Library of Congress to coincide with the publication of Augusta Browne: Composer and Woman of Letters in Nineteenth-Century America. In “Tracing Augusta Browne in the Library of Congress,” I recall my journey across two decades as I investigated different leads within the largest library collection in the world: https://blogs.loc.gov/music/2020/05/tracing-augusta-browne-in-the-library-of-congress/
Augusta Browne’s music has long been confused with the work of another composer, sometimes identified as “Miss Browne,” but more often as the sister of Mrs. Hemans. Even during Browne’s lifetime, people muddled the two composers. Who was who, and how can one determine which is the composer when the sheet music asserts “Miss Browne”? The simple answer is that Augusta Browne consistently used her given name, “Miss Augusta Browne” or “Miss A. Browne.” Thus we can identify her works with certainty. By contrast, publishers of songs by “Miss Browne” usually cited her celebrated sister—poet Felicia Dorothea Browne Hemans—in a prominent place on the cover or title page of sheet music imprints.
When I began to browse university library shelves in 1983 in search of music published in magazines from the past, I was surprised by how many pieces indicated women as the composers.[1] I saw so many examples that I began to compile the names of women and their music that I found in different periodicals.[2] Augusta Browne was one of the names that turned up most frequently in American magazines. Between 1840 and 1850 she published songs and piano solos in at least six different periodical titles.[3] Browne’s keyboard dance The Columbian Quick-Step—published in the Columbian Magazine in December 1844—was one of the first pieces that I selected for use in lecture-recitals about magazine music.[4]