Who was William Henry Browne? Some five years younger than his sister Augusta Browne, William Henry left a personal mark in U.S. history as a Union brigadier general in the Civil War, and as the preeminent American authority on trademark law during the nineteenth century. The lives and activities of Augusta and William Henry grew ever more interwoven through their adult years. During the 1870s, the brother and sister worked together on music performances and songwriting, culminating in a series of campaign songs for Rutherford B. Hayes, the Republican presidential candidate in the 1876 election.
Tag: nineteenth-century America Page 1 of 2
Women could not vote in national elections when Augusta Browne Garrett participated in the 1876 presidential campaign.[1] Nevertheless, seventeen songs contributed by Browne Garrett and her younger brother, General William Henry Browne (1825–1900), appeared in the pocket-size Hayes & Wheeler Song Book as part of the 1876 election battle. Although Browne Garrett never advocated for women’s suffrage in her extensive published prose, her contributions to the 1876 presidential race heralded American women’s future political activity.
The Republican National Committee distributed the Hayes & Wheeler Song Bookfrom coast to coast during the contest between the Republican candidate, Governor Rutherford B. Hayes of Ohio, and the Democrat, Governor Samuel Tilden of New York.[2] Victory for Hayes ultimately came down to a single electoral vote, making this contest the most disputed presidential election of the nineteenth century.
Who was J. W. B. Garrett, whom Augusta Browne married in September 1855, within weeks of first meeting him?
J. W. B. (John Walter Benjamin) Garrett was an artist who specialized in portraits, especially paintings made from small daguerreotypes, just as families today can commission a portrait to be painted from a photograph. Augusta Browne never revealed how they became acquainted. The connection might have occurred through an introduction at an art gallery, at church, a concert, or through mutual acquaintances at the Home Journal, in which Augusta published stories and Garrett advertised his services as a portraitist. Garrett exhibited a portrait of William Henry Browne, the composer’s younger brother, at New York City’s National Academy of Design in 1857. It seems plausible Garrett would have made a portrait of his bride, Augusta, but no evidence proves its existence.
“Irish Curiosity” is the name of a short story published by Augusta Browne in 1848, one hundred seventy-five years ago. The theme of the humorous story is curiosity, which is considered a commendable thirst for knowledge in a man, but in a woman, curiosity is regarded as inappropriate interference in the affairs of others. Further, as Browne expressed in deliberately misspelled language that gave the flavor of an Irish brogue, a woman “of coorse can’t kape a saycret.”
Introduction
The title page of The Lady’s Almanac for 1854 showcases a romanticized illustration of a lady writing with a quill pen at an ornate desk as time slips away in the winged hourglass.
Augusta Browne’s table and chair would have been far less grand than the engraving depicts, but she was already making contributions as a writer as well as a composer. On page 92, the almanac includes her name—lacking (as often happened) the final e of Browne—among noted American women writers.