Music, History, Women, and Heritage

Tag: William Henry Browne

Who was William Henry Browne? Part 2

[Continued from Part 1 of this blog]

The New-York Observer honored William Henry Browne after he was wounded at the Battle of Salem Church, Virginia, writing, “Even if crippled for life, he glories in his sacrifices for the Union, and the honor of the national flag.”1

Bone from a deer leg is shone shattered by a minie ball
Field Hospital, Gettysburg Reenactment, July 21, 2010 (Photo by the author)

Minié balls were among the deadliest weapons on the Civil War battlefields. These bullet wounds accounted for a high percentage of amputations in Civil War hospitals. Months of recovery followed the fighting at Salem Heights for William Henry, but he was unusually lucky to survive the ordeal, when so many soldiers lost a limb through amputation, or died from infection and gangrene in the wound.

Who was William Henry Browne? Part 1

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Who was William Henry Browne? Some five years younger than his sister Augusta Browne, William Henry left a personal mark in U.S. history as a Union brigadier general in the Civil War, and as the preeminent American authority on trademark law during the nineteenth century. The lives and activities of Augusta and William Henry grew ever more interwoven through their adult years. During the 1870s, the brother and sister worked together on music performances and songwriting, culminating in a series of campaign songs for Rutherford B. Hayes, the Republican presidential candidate in the 1876 election.

Augusta Browne and the 1876 Presidential Election: “The Nation Calls!”

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Women could not vote in national elections when Augusta Browne Garrett participated in the 1876 presidential campaign.[1] Nevertheless, seventeen songs contributed by Browne Garrett and her younger brother, General William Henry Browne (1825–1900), appeared in the pocket-size Hayes & Wheeler Song Book as part of the 1876 election battle. Although Browne Garrett never advocated for women’s suffrage in her extensive published prose, her contributions to the 1876 presidential race heralded American women’s future political activity.

Hayes & Wheeler Song Book Cover

The Republican National Committee distributed the Hayes & Wheeler Song Bookfrom coast to coast during the contest between the Republican candidate, Governor Rutherford B. Hayes of Ohio, and the Democrat, Governor Samuel Tilden of New York.[2] Victory for Hayes ultimately came down to a single electoral vote, making this contest the most disputed presidential election of the nineteenth century.     

Augusta Browne and the Morse Telegraph

“Music! the electric telegraph of the heart, having its termination in Heaven.” With these poetic words, Augusta Browne began an 1849 essay in the Message Bird, a fortnightly New York journal of the arts. I find it one of her most engaging aphorisms, comparing the power of music to convey love, grief, or joy, to the near-instant function of Samuel Morse’s telegraph to transport words and messages.

Telegraph key used to send Morse code
Telegraph Key

Augusta’s admiration and enthusiasm for the new technological marvel suggests a progressive young adult of her era. But there was more to it than just the innovation in communication. A chain of connections between Morse, the telegraph, and Augusta Browne emerges from her life and family story like a series of electric bulbs lighting up.

Who was J. W. B. Garrett?

Who was J. W. B. Garrett, whom Augusta Browne married in September 1855, within weeks of first meeting him?

J. W. B. (John Walter Benjamin) Garrett was an artist who specialized in portraits, especially paintings made from small daguerreotypes, just as families today can commission a portrait to be painted from a photograph. Augusta Browne never revealed how they became acquainted. The connection might have occurred through an introduction at an art gallery, at church, a concert, or through mutual acquaintances at the Home Journal, in which Augusta published stories and Garrett advertised his services as a portraitist. Garrett exhibited a portrait of William Henry Browne, the composer’s younger brother, at New York City’s National Academy of Design in 1857. It seems plausible Garrett would have made a portrait of his bride, Augusta, but no evidence proves its existence.

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