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Who was J. W. B. Garrett?

Who was J. W. B. Garrett, whom Augusta Browne married in September 1855, within weeks of first meeting him?

J. W. B. (John Walter Benjamin) Garrett was an artist who specialized in portraits, especially paintings made from small daguerreotypes, just as families today can commission a portrait to be painted from a photograph. Augusta Browne never revealed how they became acquainted. The connection might have occurred through an introduction at an art gallery, at church, a concert, or through mutual acquaintances at the Home Journal, in which Augusta published stories and Garrett advertised his services as a portraitist. Garrett exhibited a portrait of William Henry Browne, the composer’s younger brother, at New York City’s National Academy of Design in 1857. It seems plausible Garrett would have made a portrait of his bride, Augusta, but no evidence proves its existence.

Paper and Pen

Introduction

The title page of The Lady’s Almanac for 1854 showcases a romanticized illustration of a lady writing with a quill pen at an ornate desk as time slips away in the winged hourglass.

Augusta Browne’s table and chair would have been far less grand than the engraving depicts, but she was already making contributions as a writer as well as a composer. On page 92, the almanac includes her name—lacking (as often happened) the final e of Browne—among noted American women writers.

Augusta Browne’s American Bouquet, Part 1

On the Fourth of July, 1826, Augusta Browne strolled along the streets of Boston with her siblings and parents. The day held special significance since it was the fiftieth anniversary of Independence Day, the day the Continental Congress passed the Declaration of Independence. Bands were marching and performing in parades and celebrations throughout Boston. Augusta’s father had even persuaded Mr. Kendall’s Brigade Band to play his American Grand March in one of the events. 

The Browne family had only arrived in Boston a few weeks earlier. It was Augusta’s first taste of America after living in St. John (New Brunswick, Canada) since she was a toddler. The Boston Commercial Gazette reported that the “glorious day was celebrated in this city with every becoming demonstration of joy and gratitude.” The little girl drank in the sights and sounds of the grand celebration in Boston. Memory of the festive, patriotic music heard that day may have lingered in Augusta’s mind as one of her earliest impressions of the United States. That memory may have been a catalyst years later for her American Bouquet.

American Bouquet, first edition (Philadelphia: Osbourn’s Music Saloon, ca. 1840). Digital Image, Boston Public Library

Augusta Browne’s American Bouquet, Part 2

The early editions (ca. 1841) of Augusta Browne’s American Bouquet bore a dedication to “Miss Sarah E. Wise of Virginia.” Although this flourish disappeared in subsequent imprints by Lee and Walker, the dedication to Sarah Wise presents an interesting connection from composer to consumer. The trajectories of these women’s lives raise questions about their respective actions during the Civil War some two decades later.

Augusta Browne Was a Cat Lover

Augusta Browne loved cats, as her prose writing demonstrates.

Does not a fluffy cat, of stately demeanor, confer a positive dignity on the family hearth?

Augusta Browne Garrett, “All Good Persons Love Dumb Animals,” Episcopal Recorder, February 7, 1877.

The Favorite Cat,” hand-colored lithograph published by Nathaniel Currier, 1838–48, Metropolitan Museum of Art, Bequest of Adele S. Colgate, 1962, Accession Number: 63.550.159

In her 1877 article from the Episcopal Recorder, shown in full below, Browne tells anecdotes about memorable cats from her family home. Some knew clever tricks. Others, like Rubin (named for the Russian pianist Anton Rubinstein), had musical tendencies. She extols the usefulness of cats to control rodents, in addition their innate “beauty, talent, amiability, and industry.” The lesson of the essay is a universal message to treat animals humanely. Browne concludes:

It is impossible to love God and be cruel to the creatures that he has committed to our care.

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