nineteenth-century America Archives - Page 2 of 2

Augusta Browne Was a Cat Lover

On February 28, 2022

Augusta Browne loved cats, as her prose writing demonstrates.

Does not a fluffy cat, of stately demeanor, confer a positive dignity on the family hearth?
Augusta Browne Garrett, “All Good Persons Love Dumb Animals,” Episcopal Recorder, February 7, 1877.

“The Favorite Cat,” hand-colored lithograph published by Nathaniel Currier, 1838–48, Metropolitan Museum of Art, Bequest of Adele S. Colgate, 1962, Accession Number: 63.550.159

In her 1877 article from the Episcopal Recorder, shown in full below, Browne tells anecdotes about memorable cats from her family home. Some knew clever tricks. Others, like Rubin (named for the Russian pianist Anton Rubinstein), had musical tendencies. She extols the usefulness of cats to control rodents, in addition their innate “beauty, talent, amiability, and industry.” The lesson of the essay is a universal message to treat animals humanely. Browne concludes:

It is impossible to love God and be cruel to the creatures that he has committed to our care.

Augusta Browne’s Gift Book Gem

By Bonny Miller

On February 24, 2022

In Augusta Browne, Posts

The opening pages of the Iris Souvenir for 1851 glow with golds, reds, and greens. The hues of the new gift book competed with the flower that gave the volume its name, asserted the editor, John S. Hart, in the preface to the volume. Gift books were anthologies of light fiction, poems, and essays for the Victorian-era home. Elegant illustrations and bindings made these gift books the equivalent of modern coffee table books. The Iris made a splash by including scenes produced with an early color printing process: chromolithography.

Title page of The Iris: An Illuminated Souvenir for MDCCCLI (Philadelphia: Lipincott, Grambo, 1851)

Eight of the Iris illustrations were line engravings in black and white, but Hart declared, “the four illuminated pages are printed each with ten different colors, and with a degree of brilliancy and finish certainly not heretofore surpassed.” The title page of the volume (ab0ve) is a riot of colors, flowers, and cherubs at play beneath a rainbow. Deep purple-blue is reserved for the sprigs of iris on the title page and again adorning the music for “The Iris Waltz Composed by Miss Augusta Browne” (below).

Katherine Quail Pearson, Washington, DC Organist

By Bonny Miller

On March 15, 2021

In Posts

When I attend concerts at the Church of the Epiphany in Washington, DC, I feel that I have entered Augusta Browne’s world. She would have known the church well, and its organist, Mrs. Q. A. Pearson. This profile of Kate Pearson focuses on a lesser known but significant player in the musical life of Washington, DC, during the Reconstruction era and her connections to Augusta Browne.

Kate Quail was just twenty when she assumed the post of organist at DC’s Church of the Epiphany (Episcopal). Barely three years later, the Washington Evening Star paid a handsome compliment to the young woman in its preview of music planned for Easter morning, April 7, 1871, noting that her “ability as a musician is well known.”

Church of the Epiphany chancel and altar (Photo: the DC Bike Blogger on WordPress.com)

A Room of Her Own in Nineteenth-Century America

By Bonny Miller

On December 5, 2020

In Posts

Virginia Woolf wrote “A Room of One’s Own” to deliver in 1929 at Cambridge University for attendees of the two women’s colleges: Girton (est. 1869) and Newnham (est. 1871).

Colored photograph of Girton College, Cambridge — Girton College, Cambridge, England, ca. 1890–1900. https://www.loc.gov/item/2002696455/

Woolf expanded the seven thousand-word essay into a monograph that remains a touchstone of the feminist movement. [see http://gutenberg.net.au/ebooks02/0200791.txt]. Her argument asserted that “a woman must have money and a room of her own if she is to write fiction.” The formula was much the same for a nineteenth-century female author, i.e., a woman needed to find money (have it, get it, or earn it) and a room of her own to enable her to write.

To paraphrase Virginia Woolf, American composer and author Augusta Browne (ca. 1820–82) did have a room of her own, although—like Emily Dickinson (1830–86)—it was in her parents’ residence.

Music, History, Women, and Heritage

Tag: nineteenth-century America

Augusta Browne Was a Cat Lover

Augusta Browne’s Gift Book Gem

Katherine Quail Pearson, Washington, DC Organist

A Room of Her Own in Nineteenth-Century America