Music, History, Women, and Heritage

Tag: Victorian era Page 1 of 2

Who was Lady Augusta Browne? Not the American Composer.

The American composer Augusta Browne was not Lady Augusta Browne (1838–1909), ninth child and sixth daughter of Howe Peter [Browne], 2nd Marquess of Sligo (1788–1845). A photograph of Lady Augusta Browne is frequently displayed and misidentified as an image of the composer. The two unrelated women were born in Ireland almost twenty years apart. Lady Augusta Browne sat for portraits and photographs because she was a member of the minor British peerage in Ireland. Her carte-de-visite from the 1860s belongs to the National Portrait Gallery in London. Lady Augusta Browne never married and led a quiet life in Westport, County Mayo.

Lady Augusta Browne
by Numa Blanc & Cie
albumen carte-de-visite, 1860s
NPG Ax46406

The image of Lady Augusta Browne in the Victorian-era photo does not depict the American composer.

Irish Curiosity (in Honor of St. Patrick’s Day)

“Irish Curiosity” is the name of a short story published by Augusta Browne in 1848, one hundred seventy-five years ago. The theme of the humorous story is curiosity, which is considered a commendable thirst for knowledge in a man, but in a woman, curiosity is regarded as inappropriate interference in the affairs of others. Further, as Browne expressed in deliberately misspelled language that gave the flavor of an Irish brogue, a woman “of coorse can’t kape a saycret.”

Augusta Browne Was a Cat Lover

Augusta Browne loved cats, as her prose writing demonstrates.

Does not a fluffy cat, of stately demeanor, confer a positive dignity on the family hearth?

Augusta Browne Garrett, “All Good Persons Love Dumb Animals,” Episcopal Recorder, February 7, 1877.

The Favorite Cat,” hand-colored lithograph published by Nathaniel Currier, 1838–48, Metropolitan Museum of Art, Bequest of Adele S. Colgate, 1962, Accession Number: 63.550.159

In her 1877 article from the Episcopal Recorder, shown in full below, Browne tells anecdotes about memorable cats from her family home. Some knew clever tricks. Others, like Rubin (named for the Russian pianist Anton Rubinstein), had musical tendencies. She extols the usefulness of cats to control rodents, in addition their innate “beauty, talent, amiability, and industry.” The lesson of the essay is a universal message to treat animals humanely. Browne concludes:

It is impossible to love God and be cruel to the creatures that he has committed to our care.

Augusta Browne’s Gift Book Gem

Iris gift book title page

The opening pages of the Iris Souvenir for 1851 glow with golds, reds, and greens. The hues of the new gift book competed with the flower that gave the volume its name, asserted the editor, John S. Hart, in the preface to the volume. Gift books were anthologies of light fiction, poems, and essays for the Victorian-era home. Elegant illustrations and bindings made these gift books the equivalent of modern coffee table books. The Iris made a splash by including scenes produced with an early color printing process: chromolithography.

Title page of The Iris: An Illuminated Souvenir for MDCCCLI (Philadelphia: Lipincott, Grambo, 1851)

Eight of the Iris illustrations were line engravings in black and white, but Hart declared, “the four illuminated pages are printed each with ten different colors, and with a degree of brilliancy and finish certainly not heretofore surpassed.” The title page of the volume (ab0ve) is a riot of colors, flowers, and cherubs at play beneath a rainbow. Deep purple-blue is reserved for the sprigs of iris on the title page and again adorning the music for “The Iris Waltz Composed by Miss Augusta Browne” (below).

Page 1 of 2

Powered by WordPress & Theme by Anders Norén