Music, History, Women, and Heritage

Author: Bonny Miller Page 1 of 5

Augusta Browne and the 1876 Presidential Election: “The Nation Calls!”

Sticky post

Women could not vote in national elections when Augusta Browne Garrett participated in the 1876 presidential campaign.[1] Nevertheless, seventeen songs contributed by Browne Garrett and her younger brother, General William Henry Browne (1825–1900), appeared in the pocket-size Hayes & Wheeler Song Book as part of the 1876 election battle. Although Browne Garrett never advocated for women’s suffrage in her extensive published prose, her contributions to the 1876 presidential race heralded American women’s future political activity.

Hayes & Wheeler Song Book Cover

The Republican National Committee distributed the Hayes & Wheeler Song Bookfrom coast to coast during the contest between the Republican candidate, Governor Rutherford B. Hayes of Ohio, and the Democrat, Governor Samuel Tilden of New York.[2] Victory for Hayes ultimately came down to a single electoral vote, making this contest the most disputed presidential election of the nineteenth century.     

Augusta Browne and the Morse Telegraph

“Music! the electric telegraph of the heart, having its termination in Heaven.” With these poetic words, Augusta Browne began an 1849 essay in the Message Bird, a fortnightly New York journal of the arts. I find it one of her most engaging aphorisms, comparing the power of music to convey love, grief, or joy, to the near-instant function of Samuel Morse’s telegraph to transport words and messages.

Telegraph key used to send Morse code
Telegraph Key

Augusta’s admiration and enthusiasm for the new technological marvel suggests a progressive young adult of her era. But there was more to it than just the innovation in communication. A chain of connections between Morse, the telegraph, and Augusta Browne emerges from her life and family story like a series of electric bulbs lighting up.

Who was Lady Augusta Browne? Not the American Composer.

The American composer Augusta Browne was not Lady Augusta Browne (1838–1909), ninth child and sixth daughter of Howe Peter [Browne], 2nd Marquess of Sligo (1788–1845). A photograph of Lady Augusta Browne is frequently displayed and misidentified as an image of the composer. The two unrelated women were born in Ireland almost twenty years apart. Lady Augusta Browne sat for portraits and photographs because she was a member of the minor British peerage in Ireland. Her carte-de-visite from the 1860s belongs to the National Portrait Gallery in London. Lady Augusta Browne never married and led a quiet life in Westport, County Mayo.

Lady Augusta Browne
by Numa Blanc & Cie
albumen carte-de-visite, 1860s
NPG Ax46406

The image of Lady Augusta Browne in the Victorian-era photo does not depict the American composer.

A Musing

Anagrams entice me: the same letters rearranged to yield a different word, such as begin/being. The words encapsulate the chicken and egg dilemma; that is, when does the being begin? This anagram sits at the heart of the debate on life and reproduction. Small words, big implications. Indeed, Mr. Anu Garg of https://wordsmith.org opines, “All life’s wisdom can be found in anagrams. Anagrams never lie.”

See and Hear Music by Augusta Browne

Sticky post

Where can I see sheet music by Augusta Browne? How can I hear music by Augusta Browne? These are the questions people ask most frequently about the composer. On the Music Editions page of this website, you will find links to open-access databases that include nineteenth-century imprints of music by Browne. The Music Editions page lists more than eighty music titles available online. The entries are arranged by genre (piano pieces; songs; hymns), then alphabetically by title.

Look for “Listen to the Music” links on the Music Editions page for online performances of music by Augusta Browne. Some renditions are recorded performances, others are audio files generated from Finale music notation software.

Page 1 of 5

Powered by WordPress & Theme by Anders Norén